February 2006 - Posts

Sorry.

It seems like in the overhaul, comments have been deleted completely. That sucks big time, because there were some very insightful, great comments made.

Apology Retracted

After a writer finishes an essay and publishes it, the essay is no longer hers. It belongs to the reader. It is the reader's burden to interpret the essay using her skills as a reader. In the case of a review I wrote for "House of Wax," I did what no author should do - I apologized for the essay. I apologized for the words. I apologized for not making my points clear. In that respect, I failed as a writer. I did not, however, fail to write the review I intended to write. I have, several weeks later, reread my review. It is perfect as it is. I would not have written it any other way. Period.

It's all in how you look at it

We often hear of ethnocentrism and the unfair light in which we paint cultures different from ours. We are, thus, careful about what we choose to believe about other cultures because, in fact, it may not be true. Ironically, part of our ethnocentricity is our failure to realize that other cultures can be ethnocentric as well. Take, for example, the European nations during the time of imperialism and colonialism. The Western countries, if you remember, were beginning to explore "uncivilized" countries and claiming them in the name of God. They were bringing the light of freedom and democracy to the uncivilized masses. From the viewpoint of those colonizing Western powers, an important 'difference' between Western culture and various colonized cultures was the alleged singular openness of 'Western culture' to historical change - cast as 'progress.' Colonized cultures were conversely often represented as victims of a static past of unchanging custom and tradition, virtually immune to history. These colonized cultures were placed outside of history, at least until the advent of colonialism.

In those eventually colonized cultures, as in some Orientalist views of certain colonies, to the degree that colonized societies were seen by Western colonialists as open to and affected by change, the changes were regarded as symptoms of cultural 'decline' and 'degeneration.' That is, China, for example, considered itself to be at the height of civilization, perfect in cultural richness, tradition, government, and technological innovation. Any change from that would be interpreted as a sign of cultural deterioration. Britain, meanwhile, would call it progress. See? It's all in how you look at it.

Spanish House Website

Exciting news! The Spanish House website is now up and running! Same old link, brand new style!

http://web.mit.edu/la_casa/www

What is Spanish House? Spanish House is a community within New House, a dormitory at MIT. We are composed of about 30 freshmen through seniors, all who live in Spanish House. We have social members that go to Spanish House events, attend Spanish House dinners, and are even Spanish House officers. Social members are fully a part of Spanish House, except they don't live in Spanish House. Some may simply like living in another dorm more, but at the same time enjoy the company of Spanish House members more. Does it seem like I'm saying Spanish House an awful lot? There's a reason...can you guess why?

Feminism Facts

    Women's movements are predominantly governed by middle class women.
    Feminism is not the outcome of a linear process of socioeconomics change. Instead, they tend to be weak where state control permeates civil society and strong where state control is or has been relaxed.
    Until women abandoned the myth of global sisterhood and acknowledged profound differences in women's lives and in the meanings of feminism cross-nationally, there was great resentment between women from the First and Third worlds.
    A key issue for women's movements is whether economic reform is accompanied by an increase or decline in female employment.
Why Feminism is so hard to spread
    The widespread belief that its inspiration, origins, and relevance are bourgeois or Western.
    Fear that it demands a total transformation of the social order
    the notion that feminists are "man haters"

mit presents: the Vagina monologues

On a bitterly cold but clear night in Cambridge, Daneaya, Hugo, Jose, Andrea, Adrian, and I took a cab from the overrated Pourhouse to a vagina monologue. Most Americans with ties to pop culture will probably be atleast familiar with the term "vagina monologues." Many, including me until now, didn't know what that exactly meant or entailed. Are we actually going to see vaginas? Girls wearing revealing clothing but without actually exposing.....? A boring lecture about practicing safe sex? A humiliating and condescending lecture about not treating women like sexual objects? What exactly is a vagina monologue?

Vagina monologues are true stories about women told by an array of other women in the first person. That is, an actress plays the part of the woman telling her own story to the audience. These stories can be tragic or comedic, intense or light-hearted. Some include men, good and bad; all include women, good and bad. These stories are told through the vagina. One of my favorites was a story called "The Little Coochi Snorcher That Could" told by Jenn D'Ascoli. It's the story of a young Southern girl who began exploring her vagina, but had the misfortune of being seen by her mom, who told her never to touch it. And she got so scared that she never did touch it, even though sometimes she really felt like touching it. One day, as a teenager, she met a glamorous lady who dressed very nicely, had a car, and an important job - a secretary. They became fast friends, and the lady eventually invited the girl to her apartment. At the apartment, the lady began to make sexual advances on the girl, and the girl only managed to make out a little bit before having an orgasm. The lady poured herself a vodka, and the girl asked for the same. The lady hesitated, but agreed after the girl lightly threatened to tell her mom about their sexual encounter. Looser now, they proceeded to play with each other, and the lady taught the girl lessons about her body that she sorely wanted and needed. In that evening, the girl was transformed from a girl ashamed of her sexuality into a woman proud of her sexual identity.

These stories are powerful. They are well-written and captivating. Unfortunately, they are ill-served by the women acting them out. These women are students at MIT, few if none with formal training in acting. This lack of believability strains our patience as an audience. They seem to be trying too hard at times. The "southern" belle in the story above lost her accent about midway through the story. I let it go, but I noticed it immediately. During the truly poignant and saddening stories about genital mutilation, rape, incest, and other horrible acts, we especially notice the poor acting abilities of these girls. They are trying to be good, but they simply aren't. The stories suffer because they no longer seem believable. Perhaps Eve Ensler, the creator of the Vagina Monologues, foresaw this, and, therefore, did a truly smart thing. All of the actresses carry notecards onstage. It's not because they can't remember lines; it is to remind the audiences that these are real women's stories - not theater. To be sure, there were a couple of powerful performances, but in general, the material would be much better served by professionals. Nevertheless, I learned a great deal about women.

The entire event took approximately two and a half hours. At ten thirty, we began walking home, all the while an angry wind biting our severely chapped skin. Minutes later, I walked into my room and turned on the TV. The news said that, with the wind chill, the temperature was 2 below.

What is Spanish House?

Spanish House is unique among living groups at MIT. First of all, while it is a part of the larger New House community, it is also its own community with its own rules, regulations, and taxes. Having this power to govern ourselves gives us an advantage of dorm communities such as Next House, Baker, and McCormick. We distribute monies in such a way that will be most beneficial to all members of Spanish House. We decide together where to take trips, who to run our government, and who to hold house positions such as RBA advisor. Traditionally, Spanish House has not participated in the Residence Based Advising (RBA) program. We've collectively decided to give it a try the following year. That means that members of the MIT Class of 2010 who want to come to Spanish House will be tied to Spanish House for the first year. This may sound like a bad thing, considering the lack of options once you agree to be part of RBA, but we hope that, through this website, the Guide to Residences, the i3 video, Campus Preview Weekend, and Orientation Week, you will come to know and love Spanish House as much as we do.

For more info on Spanish House, we're in the middle of a constructing a brand-new website. For now, though, you can see the old website at http://web.mit.edu/la_casa/www

Am I too indulgent?

Looking over my reviews, one might think I'm too generous to movies. After all, I've given glowing reviews to nearly everything I've reviewed. But I don't watch movies often. Certainly, I watch them as much as the average young American (once a week), but I'm very selective about what I watch. Unless it's not my responsibility to choose the movie, I only watch movies I KNOW will be good. So that kind of limits the crap I watch. I have seen some movies recently that I didn't want to go see. And they've all been either atrociously bad or just alright. Included on the list are Annapolis, Elizabethtown, Waiting..., Fun with Dick and Jane, and Monster-in-Law. Why don't I review them? Well, if watching the movie wasn't fun, then thinking about the movie and then writing about the movie won't be much fun either. I'll leave that to people who get paid to write reviews.

Review: Rent

I've never seen a Broadway musical. But if I were going to go see one, Rent would be it. I've known about the importance of the musical in America's history. I've never known why. Now, I know. People like to talk about the savagery, the inhumanity, and the depravity of bohemians, people living unconventional lifestyles. They imagine their lives are fruitless and cold; wasteful and pained. Their beliefs stem from ignorance. This play, based on Puccini's opera La bohème, gives a vivid and realistic view of life for a sample of Bohemians living in the slums of New York City in the 1980s. Their lives are anything but what is ascribed to them. Their lives are warm and full; fun and intelligent. Also important, Rent deals with the emergence of AIDS as a national crisis, bringing to life the shocking fact (at least at the time) that AIDS affects everyone, from night club dancers and Harvard lawyers to documentarian filmmakers and MIT-trained professors. Rent takes the stories of these bohemians and sets them to rock and roll ballads. Rent would not have become as famous as it is - indeed, would not have been made into a film - unless it was very, very good. There's no doubt that Rent is a timeless classic. The script is light and witty, but full of emotion and purpose. The songs are sometimes melodramatic, sometimes goofy, but always instant hits. All of this remains intact in the movie rendition of Rent. The question is: Is the screen version good?

Yes, it is. Chris Columbus, the director of Bicentennial Man, Home Alone, and two of the Harry Potter movies shifts gears and tries his hand at musicals. I suppose he likes challenges because if anything is a challenge to direct on film, it's musicals. So often, as was the case in the late 60's and early 70's, musicals fail to capture the magic of the stage and become massive flops. The reason is because the immediacy of the story is lost. Musical numbers tend to feel disconnected from the story because they don't seamlessly transition into one another. One minute, you're arguing vehemently, the next you're singing. When did you ever start singing in the middle of an argument? Also, plays tend to work with a minimum of background and props. When you try to keep that feeling of one background in a movie, it becomes boring. To counteract these effects, Columbus masterfully plays with different techniques including vintage camera shots, portrait-style shots, and dizzying camera tricks during dance sequences (see "La Vie Boheme" in the bar and "The Tango Maureen"). His interpretation of the musical is captivating, heart-wrenching, and extraordinary. The actors fill the screen with their presence. I especially love the character Angel played by Wilson Jermaine Heredia. A homosexual transvestite with AIDS, Angel lives life looking only to give others happiness. His cheery mannerisms and bright outlook in life lie in stark contrast to the terminal illness from which he suffers. He gives a performance for which he won a Tony award. He and the rest of the cast play their characters with passion, only occasionally suffering from the tendency to overact, a side effect of having to sing one's emotions. Yet, this film is a success on every level.

My Oscar Picks for 2006

Note: These are my picks for winners, not necessarily my favorites. I loved Philip Seymour Hoffman in Capote and I loved Brokeback Mountain.

Picture

Picture

Brokeback Mountain

Crash

Munich

Capote

Good Night, and Good Luck.

Director

Ang Lee - Brokeback Mountain

Steve Speilberg - Munich

George Clooney - Good Night, and Good Luck.

Paul Haggis - Crash

Bennett Miller - Capote

Actor

Philip Seymour Hoffman - Capote

Heath Ledger - Brokeback Mountain

Joaquin Phoenix - Walk the Line

David Strathairn - Good Night, and Good Luck.

Terrence Howard - Hustle and Flow

Heath Ledger - Brokeback Mountain

Actress

Reese Witherspoon - Walk the Line

Felicity Huffman - Transamerica

Charlize Theron - North Country

Keira Knightley - Pride and Prejudice

Judi Dench - Mrs. Henderson Presents

Supporting Actor

George Clooney - Syriana

Paul Giamatti - Cinderella Man

Jake Gyllenhaal - Brokeback Mountain

Matt Dillon - Crash

William Hurt - A History of Violence

Jake Gyllenhaal - Brokeback Mountain

Paul Giamatti - Cinderella Man

Supporting Actress

Rachel Weisz - The Constant Gardener

Michelle Williams - Brokeback Mountain

Catherine Keener - Capote

Frances McDormand - North Country

Amy Adams - Junebug

Original Screenplay

Crash

Good Night, and Good Luck.

Syriana

Match Point

The Squid and the Whale

Adapted Screenplay

Brokeback Mountain

Capote

Munich

The Constant Gardener

A History of Violence

Editing

Crash

Munich

Walk the Line

The Constant Gardener

Cinderella Man

Cinematography

Brokeback Mountain

Memoirs of a Geisha

Good Night, and Good Luck.

Batman Begins

The New World

Art Direction

Memoirs of a Geisha

King Kong

Good Night, and Good Luck.

Harry Potter and the Goblet of Fire

Pride and Prejudice

Costume Design

Memoirs of a Geisha

Charlie and the Chocolate Factory

Pride and Prejudice

Walk the Line

Mrs. Henderson Presents

Makeup

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe

Star Wars: Episode III - Revenge of the Sith

Cinderella Man

Visual Effects

King Kong

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe

War of the Worlds

Sound

King Kong

Walk the Line

War of the Worlds

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe

Memoirs of a Geisha

Sound Editing

King Kong

War of the Worlds

Memoirs of a Geisha

King Kong

War of the Worlds

Memoirs of a Geisha

Original Score

Brokeback Mountain

Memoirs of a Geisha

Munich

Pride and Prejudice

The Constant Gardener

Animated Feature

Wallace and Gromit: The Curse of the Were-Rabbit

Tim Burton's Corpse Bride

Howl's Moving Castle

Original Song

In Deep - Crash

Travelin' Thru - Transamerica

It's Hard Out Here for a Pimp - Hustle and Flow

Foreign Language Picture

Paradise Now (Palestine)

Tsotsi (South Africa)

Joyeux Noel (France)

Don't Tell (Italy)

Sophie Scholl - The Final Days (Germany)

Documentary Feature

March of the Penguins

Enron: The Smartest Guys in the Room

Murderball

Darwin's Nightmare

Street Fight

Not lately

I haven't been posting lately with good reason. I've been busier than I've been in a while. I took a last minute job back home and hung out with my friends and family as much as I could before I went back. Now I'm back and so excited about the new semester. More later.